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floating kite

World Cinema

Russians at War

Canada, France

Russian

2024

129 mins

Asia Premiere

Festival History

Venice Int’l Film Festival | Toronto Int’l Film Festival

World Cinema

Russians at War

Canada, France

Russian

2024

129 mins

Asia Premiere

Festival History

Venice Int’l Film Festival | Toronto Int’l Film Festival

Riding on unprecedented access to a Russian battalion in Ukraine, ostensibly gained unofficially, Russians at War unfolds from the perspective of the Russian soldiers, hence easy to assume as partisan. However, despite keeping the death and destruction in Ukraine entirely out of sight, the film manages to paint an unflattering picture of the reality of the invasion and the idea of war itself.

The Russian soldiers are, in fact, a discontented lot, not entirely convinced about what they and Russia at large stand to gain. In the time she spends with them, the director cannily draws the soldiers out as they speak with rare candour and courage on the many casualties of war.

The united past of the two nations, cultural unity, troubled political strife and the misinformation in the media about the conflict provide the bare-bones version of a complex context. The takeaway is simple: that war can never be the solution.

– Namrata Joshi

With support from Institut Francais en Inde.

Credits

Writer

Anastasia Trofimova

Roland Schlimme

Director of Photography

Anastasia Trofimova

Editor

Roland Schlimme

Sound Designer

Olivier Dandré

Matthieu Gasnier

Music Director

Amine Bouhafa

Producer/s

Cornelia Principe

Anastasia Trofimova

Sally Blake

Philippe Levassuer

Production Company/ies

Raja Pictures

Capa Presse (Films a Cinq)

Contact


Rights Holder

Cornelia Principe

corneliaprincipe@yahoo.ca


Director

Anastasia Trofimova

Anastasia Trofimova is a Russian-Canadian documentary director and cinematographer who has directed, produced, and filmed TV documentaries in the Middle East, Africa, and Eastern Europe and screened at festivals globally. Russians at War is her first feature film. Previously, she has worked as a fixer and translator for the New York Times, Magnum Photos, and the Washington Post, as a Moscow producer for the Canadian Broadcasting Corporation (CBC), and as a field producer on international documentary projects in Russia. She earned the Canada Screen Award for Best Research for Tales from the Organ Trade and is a five-time returning judge for the News and Documentary Emmy Awards.